Architecturallayout
Thishallisdividedinto9exhibitionhalls.TheaudiencestartedfromtheOceaniaRoomandvisitedtheexhibitionhallsinAmerica,Europe,Africa,WestAsia,SoutheastAsia,NorthCentralandEastAsiainsequence.Inthemiddle,wewillalsovisittwoexhibitionhallsofmusicandlanguage.ThistourroutecleverlyarrangedfortheaudiencetocircletheeartheastwardfromOceania,andfinallyarriveinJapan.Thisingeniousdesignseemstomaketheaudiencetravelaroundtheworld,thusarousingtheaudience'spassion.
Duringthevisit,theaudiencecanseemanyrareethnicculturalrelics.Suchas:OceaniaExhibitionHall,coveringanareaof627squaremeters,exhibitedexquisitefishhooksandneedlesmadebytheoriginalresidentsusingshellsandfishbonesasrawmaterials,woodensailboatsmadewithtenons,utensilsmadefromcoconutshells,andplantsBows,arrowsandshieldsmadeofstems,leaves,andbark.TheAfricaHallcoversanareaof536squaremeters,wherevisitorscanseealargenumberofexquisitehandicraftswithstrongethniccharacteristics.TheEuropeanHall,withanareaof212squaremeters,canseethegrapepressusedinFrance'sfirstwinemaking.TheAmericasHall,withanareaof290squaremeters,canseethehugestonefiguresonEasterIslandinChile.Afamousstonecoinwithadiameterof5metersonYapIslandintheSouthPacificisalsodisplayedinthisfamousmuseum.
TheLanguageHall,withanareaof411squaremeters,isanexhibitionhallthatcanincreasepeople'sknowledge.Itusestwoparts:"text"and"language"forintroduction.The"words"partallowstheaudiencetounderstandhowmanykindsandthosewordsareintheworld,andhowtheyarerelatedtoeachother.Hieroglyphsandcuneiformscriptsofvariousethnicgroupsareexhibitedhere,aswellasvariousChinesecharactersinancientChina.The"Language"partmainlyintroducesacousticsandgrammar.Itcomparestheexpressionmethodsofcertainsentencesin22majorlanguagesintheworld.Atthesametime,theaudiencecanpressthebuttontochoosethelanguageofanyethnicgrouptheywanttohear.
InthePrayerandSacrificeRoom,alargenumberofshrines,masks,idols,shrines,etc.aredisplayed.TheynotonlyshowthecustomsandritualsofJapaneseprayerandsacrifice,butalsomakepeoplefeelOfreligiousceremonies.
Inthemusicalinstrumentexhibitionroom,therearenationalmusicalinstrumentsfromallovertheworldondisplay,forminga"chorus"ofworldnationalculture.Inancienttimes,musicblendedwithhumandailylife,sothatitbecameanindispensablepartofpeople'slife,andbecametheperfectembodimentofhumanspiritandnationalcharacter.Therefore,thestudyofvariousnationalmusicandmusicalinstrumentsisofgreatsignificance.
TheNationalMuseumofEthnologyinJapanalsohasaroomdedicatedtodisplayingdailynecessitiesleftoverbyvariousethnicgroups.Inancientlife,thebasicdailynecessitiesrepresentedtheirlevelofcivilizationandnationalcharacteristics.Throughtheseordinarydailynecessities,wecanrestorethelifescenesofancientnations.Inaddition,inthisroom,thecostumesofvariousethnicgroupsarealsodisplayed.Inancienttimes,clothingwasnotonlyakindofheatingsupplies,butalsoakindofculturalspirit.Ithasmultiplefunctionsandcanalsobeusedasasignofidentity.
TheNationalMuseumofEthnologyofJapanisanimportantmuseumestablishedinrecentyearsthathasanimpactontheworldmuseumcircle.
Institutions
JapanNationalMuseumofEthnology,builtinSuitaCityin1974.Thefirstresearchdepartment(thefirst,second,third,andfourthresearchlaboratoriesinEastAsia,theCentralAsianResearchOffice,andtheNorthCentralAsianResearchOffice),andthesecondresearchdepartment(thefirst,second,andthirdresearchlaboratoriesinSoutheastAsia),SouthAsiaResearchOffice,WestAsiaResearchOffice,SouthwestAsiaResearchOffice),ThirdResearchDepartment(Europe'sFirst,Second,andThirdResearchOffice,AfricaFirst,Second,andThirdResearchOffice),FourthResearchDepartment(Thefirst,secondandthirdresearchlaboratoriesintheAmericas,thefirst,secondandthirdresearchlaboratoriesinOceania),thefifthresearchdepartment(ethnicresearchlaboratory,ethnictechnologyresearchlaboratory,ethniclanguageresearchlaboratory,etc.)andtheinformationmanagementequipmentdepartmentAndotherdepartments.Fundingmainlycomesfromthenationalannualbudget.Academicactivitiesaremainlytocollectandresearchtheculturalheritageofvariousethnicgroupsintheworld,andconductethnology.
Structure
ThismuseumwasbuiltintheUniversalMuseumMemorialParkinthesuburbsofOsaka,Japan,coveringatotalareaofmorethan40,000squaremeters.Thebuildingisafour-storybuildingwithareinforcedconcretestructurewithaconstructionareaofmorethan10,000squaremeters.Thefirstflooristhemainentrancehall,restaurant,machineryroom,andwarehouse;thesecondflooristheexhibitionhall,lectureroom,voicepracticeroom,andoffice;thethirdflooristheelectroniccomputerroom,library,anddataroom;thefourthflooristheinformationanalysislaboratory,videoLikelaboratories,animal,plant,andmineralspecimenlaboratories.
Equipment
Themuseumexhibitsabout7,000exhibitsinanexhibitionareaofmorethan5,700squaremeters.Themainvisitrouteis1,500meters.Itsdisplayisanencyclopediaoftheproductionandlifestylesofallethnicgroupsintheworldcomposedofrealobjects.Here,itisusedtodisseminateinformation,notonlyculturalrelicsofvariousethnicgroups,butalsoaudioandvideoofvariousethnicgroups.
Itisequippedwiththemostmodernimageandaudioautomaticoutputdevice.Ithas37videoroomsand3soundrooms;thereare1715setsofvideotapesforuse,30typesofaudiotapes,and151ethnicmusictapes.kind.
Theaudiencecanpressthecorrespondingbuttononthecomputeraccordingtothefileanddatanumberindicatedonthefluorescentscreen,theimagecanbedisplayedonthefluorescentscreenimmediately,andthesoundtheywanttohearfromtheaudioequipment.
Features
TheNationalMuseumofEthnologyinJapanwasopenedonthe11th,1977.Althoughitshistoryisshort,itisfamousforitsrichcollectionsandishighlydevelopedinmoderntimes.ThescienceandtechnologyofChina,injectingfreshbloodintotheancientculture,isthebiggestwindowintotheworld'snationalculture.Thismuseummainlydisplaysobjectsthatreflectculturalanthropologyfromallovertheworld.Itcollectsmorethan50,000culturalrelicsandspecimensthatreflectthelabor,culture,andlifeofvariouspeoplesintheworld,andshowspeoplevividethnicpictures.
Visitinginformation
OsakaExpressRailwayExpo’70CommemorativeParkStation→15minutesonfoot