Correction des erreurs
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Expérience de la vie
Vivre au sud du fleuve Yangtze
LuoGuanzhong(3photos)
DuringthereignofYuanRenzongYanyou, LuoGuanzhong'sfatherwasasilkmerchant.Inthemid-Dynastie Yuan, duetothegradualsubsidenceofthetraumaoftheWaroftheSung-SongWar, thesocialeconomicandculturalcenterofgravitybegantoshiftfromthenorthtothesouth.Hangzhou, theoldcapitaloftheSouthernSongDynasty, hasnotonlybecomeaprosperouscitywithalargepopulationanddevelopedcommerce, butalsoanimportantcenterforthedevelopmentoftheatricalperformancesand "parler" art.Therefore, manynorthernintellectualsand "bookmakers", suchasGuanHanqingandZhengGuangzu, havemovedtoHangzhou.LuoGuanzhong, anovelistandadramatist, isboundtobeaffectedbythissocialtrendandbecomesoneofthesewriterswhomigratedsouth.Sincetheageof7, hehasstudiedtheFourBooksandFiveClassicsinaprivateschool.Whenhismotherdiedattheageof14 , il a abandonné l'école et a suivi son père pour faire des affaires à Suzhou et à Hangzhou. Mais LuoGuanzhong n'était pas intéressé par les affaires. entre 1345 et 1355 après JC, il est venu à Hangzhou.Le RoidesAspirations
InthesixteenthyearoftheHuizongEmperorofYuanDynasty (1356), LuoGuanzhongsaidgoodbyetoZhaoBaofeng, andLuoGuanzhong, les "kingofAspirations" wasaguestatthepeasantuprisingarmyZhangShicheng'sshogunate.ZhangShicheng, whohadrisentodominance, wastheherooftheeradicationoftheYuan.Inthefollowingyear, underLuoGuanzhong'ssuggestion, ZhangShichengdefeatedtheattackofZhuYuanzhang'ssubordinateKangMaocai.Inthesameyear, ZhangShicheng'syoungerbrotherwasdefeatedandcapturedbytheYuanDynasty.ZhangShichenghadtosurrender.AfterthefalloftheYuanDynasty, ZhangShichengwasgreedyforpleasure.Bythetwenty-thirdyearofZhizheng, ZhangShichengsawthedeclineoftheYuanDynastyandonceagainbecameking.Manyaides, includingLuoGuanzhong, proposedtopostponethekingship, butitwasnotaccepted.LiuLiang, LuYuanandothersleftoneafteranother.Sincethen, LuoGuanzhonglostconfidenceinZhangShichengandreturnedtohishometownTaiyuan.InSeptemberofthe23rdyearofZhizheng (1363AD), LuoGuanzhongalsoleftZhangShichengandwentnorthagain.Inthe26thyearofZhizheng, LuoGuanzhongreturnedto Hangzhou.Thewritingof "ThePopularRomanceoftheThreeKingdoms" shouldbeafterthatyear.Atthistime, hewasalreadyinhisfifties, andhehadarelativelymatureviewofhistoryandlife, andhewasfullyequippedwiththeconditionstocreate "ThePopularRomanceoftheThreeKingdoms" .InthethirdyearofHongwu, theEmperoroftheMingDynasty (1370AD), LuoGuanzhonghadwrittentwelvevolumes, andthewritingofthesubsequentvolumeswasfouryearsafterHongwu.
DuringLuoGuanzhong'swriting "ThePopularRomanceoftheThreeKingdoms", ShiNaianmovedfromSuzhoutoXinghuaanddiedinHongwuthreeyearsago.InordertocommemoratehismasterShiNaian, "Watermargin" aftercompletingthe "PopularRomanceoftheThreeKingdoms" .ItwaswritteninHongwubetweenfouryearsandtenyears.Whileprocessingandsupplementingthe "Watermargin" de LuoGuanzhongdecidedtoprocessandsupplementShi, LuoGuanzhongcontinuedtocreateaseriesofhistoricalnovels.
Écrire un livre avec la colère
AttheendoftheYuanDynasty, theworldwasinchaos, andtheheroescametogether.Healsoparticipatedinit.Inthe "CompilationofBarnyardHistory", MingmanWangQisaidthathewas "akingwhohasaspirations, butmeetsAllah", thatistosay, seeingtheworldwillinevitablyfallintothehandsofZhuYuanzhang, hehastofadeout.Soon, LuoGuanzhongyuantraveledsouthoftheYangtzeRiverandlivedintheareasofJiangsuandZhejiang.Heusednovelstodescribehis "PictureKing" domineeringvision.Thekingofthepicturewasunsuccessful, andhewrotethebookangrily.
Cependant, "TayingGardenCollection" Volume4 "PostscripttotheWaterMargin" records "de ZhangShichenginLuoguanzhongKebaMansion" de thismayalsobejustalegend.BecauseQingGuLing, whichisinconsistentwiththeimageof "thekingwithaspirations" .Althoughtherearecontradictionsinthesetworecords, itisenoughtoshowthatLuoGuanzhongoncewantedtodosomethingattheendoftheYuanDynasty, "toconveythehistoryofthebarnyard," wasjustahelplesschoiceafterfailureinreality.
AftertheestablishmentoftheMingDynasty, ZhuYuanzhangorderedallprovincestotestforthreeyearsinordertoconsolidatehisposition.BecausehewasonceanenemywithZhuYuanzhang, LuoGuanzhonghadtogiveuptheopportunityforscholarstoenterofficialdom.Inthe14thyearofHongwuintheMingDynasty, LuoGuanzhongwrotethe "SanSuiPingYaoZhuan" (20transcripts) .Afterthat, hedidnotreceiveitatall.Hecreated "TheHistoricalRomanceoftheSuiTangandFiveDynasties" et "TheHistoryofSuiandTangDynasties".
SomeexpertsbelievethatLuoGuanzhong'spreferenceforpoliticalandhistoricalnovelsisthekeytohisartisticsuccessinsuchnovels.ThefirstistousethestoryoftheThreeKingdomsasthethemetowritethe "RomanceoftheThreeKingdoms", theotheristousetheLiangshanherostoryeditor "Watermargin" (apopularsaying, Parexemple, "TheHistoryofChineseLiterature" agreeswithShiNai'an.Original, editedbyLuoGuanzhongintoabook).
Aftercreatingtheseworks, LuoGuanzhongisalreadyinhissixties.Inordertopublishtheseworks, hecametoFujianfromHangzhouinthethirteenthyearofHongwu, becauseJianyanginFujianwasoneofthecentersofthepublishingindustryatthattime.However, LuoGuanzhong'sgoalwasnotachieved.LuoGuanzhong'screativetalentsaremultifaceted.HehaswrittenYuefulingoandopera, buthisfictionalachievementsarethemain.Regardinghisnovels, "XihuTouringZhiyu" saidthathe "editeddozensofnovels", anditissaidthathewrote "SeventeenHistoricalRomance" .ExistingworkssignedbyLuoGuanzhong, inadditionto "ThePopularRomanceoftheThreeKingdoms", therearealso "TheLegendofSuiandTangDynasties" « Le roman historique des cinq dynasties des vestiges de la dynastie Tang » et « La légende de SanSuiPingYao » et de ShiNaian ont également épousé la « Marge de l'eau ».
Amongtheseworks, "PopularRomanceoftheThreeKingdoms" hasthehighestachievement.ThebookdepictsthecomplicatedpoliticalandmilitarystrugglesduringtheThreeKingdomsperiodwithagrandstructure, startingfromtheYellowTurbanUprisingandfinallyreunifyingtheWesternJinDynasty.Theworkcondemnedthebrutalityanduglinessoftherulers, reflectedthepeople'spainandyearningforQingmingpoliticsandbenevolentmonarchsintheturbulentera, andembodiesthecleartendencyof "supportingLiuandopposingCao". "PopularRomanceoftheThreeKingdoms" "thewritingisnotverydeep, thelanguageisnotveryvulgar", thelanguageisconcise, livelyandvivid.Itcombineshistoryandliteraturenaturally, hasrealisticdepictions, de andisfullofromanticlegends.TheearliestsurvivingeditionofLuoGuanzhong "PopularRomanceoftheThreeKingdoms" istheJiajingedition, andthemostpopulareditionistherevisededitionofMaoLunandMaoZonggangintheQingDynasty.Inadditiontothecreationofnovels , "RecordingGhostBook Sequel" de JiaZhongming dit que "Yuefuling est extrêmement rafraîchissant". Ses œuvres d'opéra existantes incluent "Zhao TaizuLonghuFengyunhui"Zaju.LabasedeZajuississimilaireà"LeRomancePopulairedesTroisRoyaumes".
Entre 1385 et 1388 après JC, LuoGuanzhong vécut 70 ans et mourut à Luling (aujourd'hui Ji'an, Jiangxi), la ville natale du héros national Wen Tianxiang dans la dynastie Song.
Fonctionnalités littéraires
LuoGuanzhongisknownastheoriginatorofChinesechapter-backnovels.Hischapter-backnovelsfeaturechapter-basednarrative, divisé en backheadings, eachstoryisrelativelyindependent, andparagraphsNeatly, butlinkedbackandforth, bout en bout, thewholebookformsaunifiedwhole.Andithasbeendividedintovolumesandsub-titres, andthecataloguetextisalsoveryparticular.TodayIseetheearliestJiajingRenwu (1522) de bloc imprimé "ThreeKingdoms", eachtitleisasinglesentencewithsevencharacters.Thetitleof "Watermargin", whichheco- authoredwithShiNaian, isalreadydouble phrase, whichisroughlyaduality.Inadditiontotheseparationofthemainpoints, hischapterstoriesalsopreservedthesysteminwhichtheopeningpoemswereintroducedatthebeginningandtheendingpoemswereusedattheendintheSongYuanScript.Themaintextoftenbeginswiththeword "parlant", andoftenatthecriticaljunctureoftheplotdevelopment, itusesaphrase "ifyouwanttoknowwhatisgoingon, andlistentothenexttimetobreakitdown", therearemorepoemsandtunesinthemiddletodescribethescene.Orpeoplecommentandpraise.
Whilehischapternovelshavebeenshapedsystematically, theyhavealsomaturedintermsofartisticexpression.Theliterarycharacteristicsofhisworksaremainlymanifestedin: theprocessofwritingthebookhastransitionedfromcollectiveeditingtoindividualoriginalcreation; thecreativeconsciousnesshaschangedfromborrowinghistoricalromancesandfablestofacerealityandpayingattentiontolife; thesubjectmatterofexpressionhaschangedfromfocusingonnationaleventssuchasriseandfall.Tofocusondailylifeandfamilytrivialmatters; thecharactersdescribedrangefromextraordinaryheroestoordinaryordinarypeople; themodellingsrangefromhighlightingcharacteristiccharacterstotheuseofmulti-coloranddynamicbrushstrokestoportraythepersonalitiesofthecharacters; theplotstructurerangesfromThelinearflowtothemeshedintersection; thelanguageofthenovelhaschangedfromhalf-literalandhalf-whitetocolloquialanddialectal; andsoon, itissufficienttoexplainthegreatachievementsofLuoGuanzhong'sZhanghuinovelsinthehistoryofChinesenovels.Thisalsolaidasolidfoundationfortheprospero la situation des histoires courtes vernaculaires au sein de la dynastie Ming du milieu et de la fin, et leur développement a été plus raffiné.
LuoGuanzhongisawriterwithspecialcontributionsinthehistoryofChineseliterature.Therearemanynovelshewrote, allbasedonchaotictimes.TherewereonlysevendividederasinChinesehistory.LuoGuanzhongwrotethreeofthem.InadditiontoTheRomanceoftheThreeKingdoms, itissaidthattherearealso "SuiandTangZhiBiography" et "RemnantTangDynasty" .Healsoparticipatedinthecompilationandcreationof "Watermargin" andotherworkssuchas "TheHistoryoftheFiveDynasties" et "SanZhuPingYaoZhuan" .Hecanalsosingandcompose.Hehascomposedthreekindsofdramas, whichareknowntoday: "SongTaizuLonghuFengyunhui", "ZhongzhengDutifulSonSerialAdmonishment", "SanpingZhangCryandCryTiger ", ces deux derniers ont été perdus. LuoGuanzhong a connu la grande agitation sociale dans la dynastie des Yuan tardive, a été témoin des vrais différends, avait mieux compris la situation de vie des personnes souffrantes, et avait également compris leurs idéaux et leurs poursuites. attime, andtoprovideagoodandconvenientwayforthepublicandtheartiststospeak.Thebasicsofspeaking.Startingfromtheneedsofsocietyandliterature, hehascollected, sortedout, andenrichedseveralnovelmaterialsthathaveagreaterimpactonthefolks.LuoGuanzhong'sworks, especiallytheappearanceof "TheRomanceoftheThreeKingdoms", markedthecompletionofthetransitionofancientChinesenovelsfromthestageof "conte" tothelongchapters, andopenedanewpageinthehistoryofthedevelopmentofChinesenovels.
"Les ThreeKingdoms", obtainedtheessenceofthefolkscript "SaidThreePoints", andcollectedhundredsoflargeandsmallstories.Heknowsthenamesandpersonalitycharacteristicsofhundredsofemperorsandgenerals de LuoGuanzhong'sartisticattainmentsfirstlybenefitedfromhisfamiliaritywithhistoricalmaterialsandadeepunderstandingofhistoricalfigures.HeabsorbedthestrengthsofChenShou, andeventhesocialrelations, historicaldestiny, andofficialcareersofmanypeople.ThisextensivecollectionofBona, memorizationandutilizationofskillsistheconfidenceofLieutenantLuoGuantohaveafullviewofthe100-yearhistoryandgatherthebestofthecenturyinhiswriting.
Les contradictions et les conflits sont la caractéristique la plus attractive des romans historiques.
LuoGuanzhongisthebestatwritingwars.Thehundredsofwarsin "TheRomanceoftheThreeKingdoms" arewrittenwiththeirowncharacteristics, andthereisnorepetition.TheBattleofChibiisespeciallywonderfullywritten.The firstfeature oftheBattleofChibiisthatthetwocountriesgotowarwiththeparticipationofthethreeparties, therearebothalargenumberofmilitaryactivitiesandalargenumberofdiplomaticactivities, attractingthemainadvisersandwarriorsoftheThreeKingdomsperiodtotheseactivitiesAmong. La deuxième caractéristique est que la méthode d' avancement et de résolution des contradictions repose sur la lutte contre la sagesse et l' intrigue, plutôt que sur la confrontation. La troisième caractéristique est la caractéristique de l' époque. La bataille de Chibi fut une période de mêlée entre seigneurs de guerre, et le feu de la bataille de Chibi a brûlé un demi-siècle d' histoire des trois royaumes. La quatrième caractéristique est la caractéristique géographique. CaoCao et SunQuanhavea Yangtze Riverinbetween.Cette rivière Yangtze est suspendue au- dessus du ciel et du sol épais en dessous., Ou les vagues orageuses secouent le rivage. Thefifthfeature isthatmultiplecontradictionsintersecteachother.Therearecontradictionsbetweentheenemyandourselves, suchasCaoCaotryingtodestroySunQuan, andcontradictionswithintheallies, suchasZhouYutryingtokillZhugeLiang, therearebothopenspears, hiddenarrows, Thereiscollusion, de trahison, de la justice, andconspiracydestruction.The sixthcharacteristic est: theresultofthecontradictorystruggleisunexpected: thestrongestloses, theweakestwins, theonewiththemosttroopslosestheworst, andtheonewiththefewestgainsthemost.
L'exploit le plus remarquable de LuoGuanzhong est de créer des personnages typiques et toujours radieux.
L'intrigue est tortueuse et romanesque, et le langage est individualisé et concis, ce qui est aussi une caractéristique des romans historiques de Luo Guanzhong.
CaractèreÉvaluation
LuoGuanzhongisnotonlyrecognizedasoneofChina'searliestZhanghuistylenovels, andtheauthorofthepioneering "genre" "romance historique TheRomanceoftheThreeKingdoms", butheisalsoconsideredseparatelyInitiatedthechapter-stylenovelsof "herolegend" et "shenandgoblinnovels" .Theauthorsof "Watermargin" et "SanSuiPingDemonBiography" bothincludeLuoGuanzhong'sargument, whileanothermajorcategoryof "worldnovels" isderivedfromadaptations "JinPingMei" fromtheplotof "Watermargin" .Fromthis , on peut considérer que LuoGuanzhong a agi à lui seul comme le créateur (ou une pierre de taille des créateurs) des quatre catégories principales de romans classiques chinois de forme longue de style Hui, qui ont eu une importance capitale pour le développement des romans chinois.
Travaux principaux
Scénario
"SongTaizuLonghuFengyun Meeting", "ZhongzhengDutifulSonSerialAdmonition", "SanpingZhangCryandCryTigerSon".
Des romans
"TheBiographyofSuiandTangDynasties","TheHistoricalRomanceoftheRemnantTangandFiveDynasties","SanSuipingDemonBiography","Fenzhuanglou"et"WaterMargin"co-écritparShiNaianTheCompleteBiography,TheRomanceoftheThreeKingdoms,etc.
Édition de livres
Voir plus de livres
Commémoration des générations ultérieures
ShandongDongping
LuoGuanzhongMemorialHallislocatedinDongpingCounty, Tai'anCity, ShandongProvinceLuozhuangVillage, NewDistrict, coversanareaof 34,400squaremeters, andhasabuildingareaof 6,700squaremeters.ItwasdesignedbyQufuAncientArchitectureInstituteandbuiltinthestyleofMingDynastyarchitecture, withbluebricksandgraytiles, carvedbeamsandpaintedbuildings.ThemainbuildingsincludeGuanzhongtang, Watermargin, Sanguoyuan, Guanzhongju, Luoyuan, andSteleGallery.Outsidethememorialhall, therearetwoarchwaysinthehometownofLuoguanzhong, NorthandSouth, andthestoryoftheThreeKingdomsinthenortharchway, andthestoryoftheWaterMargininthesoutharchway. Les noms des deux arcades ont été inscrits respectivement par les érudits FengQiyong et Ouyang Zhongshire. Les deux arcades mesurent 16,6 mètres de haut et 30 mètres de large.
Le bâtiment principal du mémorial Guanzhongtang est de style palais de la dynastie Ming. La statue en bronze assise de LuoGuanzhong mesure 2,7 mètres de haut et pèse 1 tonne.
Qingxu, Shanxi
MontagnePorteArchitecture
ThemountaingateofLuoguanzhongMemorialHallisanantiqueXieshan-stylebuilding.Thereisapairofbluecarvedstonelionsinfrontofthedoor.Hangingonthedooristheplaqueof "LuoGuanzhongMemorialHall" handwrittenbycontemporaryculturalcelebrityFengQiyong.OppositethesquareinfrontofthemountaingateisasplendidmulticoloredshadowwallwithembossedglazereliefsofKylinandjadebooks.Steppingintothemountaingate, thefirstthingyouseeistheverticalgranitesculptureofLuoGuanzhong.Heisfourmeterstallandhisdemeanorissolemnanddeep.Thebaseofthestatueisfivemetershigh, withathree-storywhitemarblecarvingcolumn.Thereisapondwithclearwateronthecentralaxisofthecompound, wherefishareplayinginit, andthereisarainbowjadebeltbridgeacrossthegreenpond.Thereareeightpairsofstonelionscarvedonthewhitemarblerailings.Therearethreewingroomsontheeastandwestsidesofthecourtyard.ThewestwingistheresearchcenterofLuoGuanzhongandtheRomanceoftheThreeKingdoms.ItcontainsvariouseditionsofLuoGuanzhong'sworksandvariousrelatedbooksandpapers.Literatiandinexperiencedteasin gandchess, et écrivant des articles pour trouver la place de l'élégance.
Comté de Qixian, Shanxi
Situé dans le village de Hewan, dans le canton de Xiliuzhi, dans le comté de Qixian, il y a un certain nombre de reliques culturelles précieuses telles que la généalogie de LuoGuanzhong, les dieux et la pierre à encre utilisées par LuoGuanzhong.
Litiges connexes
Litiges dans la ville natale
TenRecords
(1)"XihuTouringZhiyu""Yun:QiantangLuoGuanzhongben, originaire de la dynastie des Song du Sud, a écrit des dizaines de romans.
(2)"SuiteWenwenTongzhi"dit :"WaterMargin"Baguettes LuoGuanzhong.Ziguanzhong,deHangzhou.
(3) « SevenRevisedDrafts » indique : « Trois Royaumes » et « SongJiang » sont compilés par HangzhouLuobenGuanzhong.
(4) "La Légende des Trois Royaumes" Bureau Wanli, édition Dongyuan Luodao.
(5)Département "ThreeSuipingDemonBiography" : Compilé parDongyuanLuoGuanzhong.
(6)Département "WaterMarginZhuanCriticForest" : CentralPlainsGuanzhongLuodao, dont le vrai nom est Qingfueditor.
(7)Département « WaterMargin » : édité par LuoGuanzhong, CentralPlains.
(8) L'ancien bureau de « SuoTangQuanZhuan » : LulingLuoBen.
(9) « Yinshuwu Shuying » dit : « WaterMargin » dit avoir été écrit par LuoGuanzhong, originaire de Hongwue au début de Yue.
(10)LaContinuationdel'EnregistrementGhostBookdit :LuoGuanzhong, originaire deTaiyuan,commepersonne dispersée àHuhai,des oligarquesavecd'autres,Yuefulingo,extrêmementfrais,etYuisaune amitié d'un an,souffrant de temps en temps,chacun.Jusqu'àce que Zhengjiachen reprenne,sans se terminer maintenant.
Cinq dictons
Les cinq dictons sont : Hangzhou, Luling, CentralPlains, Dongyuan et Taiyuan. Les plus concernés sont Hangzhou, Dongyuan et Taiyuan.
Hangzhou a dit : Le seizième de la liste des « œuvres rassemblées de ZhaoBaofeng » par ZhaoBaofeng, un érudit local à Hangzhou, a le nom de Robben.
Dongyuan a déclaré qu'il provenait de M. Yongyuzi (Jiang Daqi) dans la sixième année de Hongzhi dans la dynastie Ming. Jiang Daqi croyait que le livre avait été obtenu dans la génération Dongyuan et attribuait l'auteur à Dongyuan.
Taiyuan a déclaré, de Wumingshi, l'auteur de « Continued RecordsofGhostBook », après des recherches, l'auteur est JiaZhongming.
AnalyzedfromthediscoveryofLuoGuanzhong'sworksindifferentplaces, hehastraveledtomanyplacesandleftfootprintsinvariousplaces, whichisoneofthereasonswhytherearemanyopinionsabouthisnativeplace.Isconsistent.Atthattime, JiaZhongmingproposed "Taiyuanpeople" .Taiyuanisalargearea, whichcontinentandwhichcountypeoplearefrom.JiaZhongmingdidn'tmentionit.ButfromthegenealogyfoundinHewanVillage, whereLuosisthemostconcentrated, therearesixmajorevidences: sacredpaper, poutre-protectingsign, tombe, inkstone, andplaque.ItcanbeexplainedthatLuoGuanzhongwasdirectlyunderQixianCounty, whichwasunderTaiyuan'sjurisdictionatthattime.
Avec ShiNai'an
Le pseudonyme "ShiNai'an"
InAugust2006, les "LuoGuanzhongandAttheInternationalSymposiumon" ThreeKingdoms "et" Watermargin », 500expertsfromhomeandabroadgenerallybelievedthat "Watermargin" wasabannedbookatthebeginningoftheMingDynastyanditwasimpossibletopublishitunderitsrealname.LuoGuanzhonghimselfwasfromDongping, Shandong, andShiNaianwasinNotracecanbefoundinhistoricaldata.Inthiscase, theauthorislikelytopublishunderthename.IntheearlyMingDynasty, therewasLuoGuanzhong'ssinglesignature, andthejointsignatureofShiNai'anandLuoGuanzhongwasdiscoveredinthelaterperiod.
"ShiNai'an" iswrittenbackwardsas "INaiShi" .ShiNai'anisspokeninShandongaccent, andthepronunciationisalso "ShiNaiI" .Accordingtothehabitofmanywritersatthattimeinwritingandsigningbooks, "Thesubtextof" ShiNai'an-LuoGuanzhong "isprobably" IamLuoGuanzhong » .Aftercombiningthewritingcharacteristicsof "TheRomanceoftheThreeKingdoms" et "Watermargin", someexpertsbelievethatthesetwomasterpieceswerewrittenbyLuoGuanzhongusingdifferentcollectionmethods.
La relation entre le maître et l'apprenti
JiLianhaidoesnotagreewiththestatementthat "Watermargin" waswrittenbyLuoGuanzhongalone.Heevenagreeswiththewidelyspread "SHINAI" AnLuoGuanzhongistherelationshipbetweenmasterandapprentice » .HesaidthatShiNai'anandLuoGuanzhongareteachers-studentrelations, fromthebook "ShiNai'anEpitaph" byDaoshengWangofHuai'aninMingDynastyand "ShaoShiShanFangBiCong" byHuYinglininQingDynasty.
WangDaoshengsaid: "Eachdraftmustbeproofreadwiththepeople.TheZhenghaiyuisespeciallygoodforLuoGuanzhong." HuYinglinsaidofShiNaiwhentalkingabouttheoriginofthecreationof "Watermargin" "Un" un "gotSongZhangShuye'strickstocatchthethief, andhelearnedtheoriginofhis180people, anditwasmadeintothisseriesbecauseofretouching.HisdiscipleLuoBenalsofollowedtheexampleof" TheRomanceoftheThreeKingdoms », whichissuperficialandsimple.ThischaracterisGuanzhong.Althoughtherearenotmanyhistoricalrecords, itcanstillbeverifiedthatShiNai'anandLuoGuanzhongbelongedtothelateYuanandearlyMingDynasty.ShiNai'anwas20or30yearsold, andbothofthemparticipatedintheZhangShichengUprising. "Edition". a présenté que LuoGuanzhong " Yuefuling est très frais ", de nombreux chercheurs pensent que l'incorporation de poèmes dans " Water Margin " est principalement réalisée par Luo Guanzhong.